Everywhere was Wherever by Damien Drew

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This exhibition is Art Director and Production Designer, Damien Drew’s first solo photographic exhibition. It presents a series of images captured on an 18-day motorcycle trip across the USA. His singular experience has generated a unique perspective of the American road and the images ask us to pay attention to scenes and details habitually passed over, presenting beauty in unlikely places.

 

With the outward expansion and relentless franchising of roadside America, there is a loss of place and texture. Drew notes Howard Kunstler’s lament of America’s decent into ‘placelessness’ in The Geography of Nowhere, where the country is transformed from vital places and communities to a land where every place is no place in particular. He also speaks of every intersection presenting a choice, yet every destination feeling the same.


Drew’s film credits include The Great Gatsby, Superman Returns, Star Wars and The Matrix films. He studied Architecture at UNSW and his passion for the creation of place and visual story telling is clear and concise. With a humble nod to great documentary image-makers such as Jeff Brouws, Ed Ruscha and Walker Evans, the body of work is a personal moment in time.

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The exhibition will be opened by respected television, radio journalist, presenter and producer, Fenella Kernebone, on 3 June.

  • Organised by: Black Eye Gallery

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February

Brisbane: Until 13 July 2025. Amateur Brisbane photographer Alfred Henrie Elliott (1870-1954) extraordinary images lay dormant for decades until they were discovered only recently. This exhibition is curated by seven Brisbane photographers.

Perth: Until 18 May 2025. Henry Roy – Impossible Island draws on 40-years of recollections and observations as it brings together 113 photos taken from 1983 to 2023.

Sydney: Until 31 Dec 2025. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

Sydney: Until 30 June. The photographs in Max Dupain: Student Life were taken at the University of Sydney in the early 1950s, a period of rapid change marked by the politics of the Cold War.

Sydney: Until 8 Mar 2025. While Dean’s fantasias might seem like digitally conjured dreamscapes, they are an extraordinary feat of practical effects, with subjects in actual gardens and elaborately constructed underwater sets.

Melbourne: Until 26 April 2025. The exhibition features 52 works from the National Portrait Gallery’s collection of dance legends and reflects the freedom and joy of dance and its power to connect.

Sydney: Until 27 April 2025. Ocean Photographer of the Year exhibition. Featuring 118 extraordinary images, this exhibition explores the awe-inspiring beauty and fragility of our oceans.

Canberra: Until 2 March. Drawn from the collections of the National Gallery of Australia, the National Library of Australia and the National Portrait Gallery, the exhibition showcases more than 140 photographs, from Jerrems’ lesser-known early work to the now iconic Vale Street 1975,

In ‘Inside/Outside (U.S.A)’ James Bryans (re)captures iconic American landmarks frequently depicted in film and television, revealing the strangeness, unfamiliarity and complexity of familiar land.

Melbourne. One off event 23 February. The first solo photography exhibition from international cinematographer and producer 'The Squid' – showcasing the wild underwater dance images conveying human emotion and the magic of connection.