Head On Photo Festival returns to Sydney 6-29 November 2026

Panasonic is bringing photographers, filmmakers and content creators together in Sydney on 20 November to mark 25 years of its LUMIX camera brand.

With powerful LED lighting offering hybrid shooters a lot of flexibility in the field, the question is – how do you power them if you are not near a power point? We investigate how to run these lights using other alternatives.

The 2026 OCULI Photo Collective annual print sale runs online from November 9–22, featuring a single, carefully selected image from each of its 15 documentary photographers.

The Evo 2 combines digital image capture with instant film printing, allowing users to preview and adjust images before deciding which ones to print.

Doug Gimsey explores Sony’s 66.8MP full-frame mirrorless camera with a new sensor, faster processing and improved autofocus.

With a street price of $1,499 – the ASUS ProArt PA279CDV gives you great value for a QD-OLED panel, but how does it work as a day-to-day monitor?

Michael Wayne Plant is an educator and a social documentary photographer who produces long-form projects examining public life within contemporary capitalism.

Super-retro photography! More than 150 years ago, the ‘ferrotypist’ was capturing stunning images on sheets of lacquered iron. We chat with Conrad Young, a top US based tintype photographer and view his superb images.

At a time when the trend was to hunt wildlife for taxidermy, Cherry Kearton was 'shooting' with a camera instead. We look at one of Sir David Attenborough’s primary inspirations.

Cameras have documented humans history since their invention. This upcoming book explores what 14 different cameras have witnessed throughout modern history – from icy oceans of Titanic fame, to the collapse of the USSR.

The award comes at an especially appropriate time for Dupain’s legacy, with the State Library of NSW preparing to open a major retrospective of his work on 24 August 2026.

Launching 19 June at Sydney's Donut Garage, this new photographic book explores Australian masculinity, grief, memory, and car culture through a deeply personal, visual narrative.