'Quintessential' Aussie portrayed in 2022 Nikon Walkley Photo of the Year
An image by Natalie Grono has been named the winner of the 2022 Nikon Photo of the Year Prize . The photograph, Peter takes a moment , shows a quintessential Australian impacted by the devasting floods in northern NSW.
Nikon Photo of the Year Winner: Natalie Grono, The Saturday Paper and Surfing World Magazine . Peter takes a moment. Peter takes a moment’s rest from moving his ruined belongings outside his flooded Wardell home. © Natalie Grono (via the Walkley Foundation)
Of the winning image, part of coverage of the floods in NSW’s Northern Rivers – one of the biggest stories in Australia in the past year – competition judges stated: “Peter is a quintessential Aussie – exhausted and covered in mud, yet stoic and somehow hopeful, he pauses before tackling the mammoth task of resurrecting his life. Natalie Grono encapsulates the aftermath of the floods with the contradiction of palm trees against sunny skies while Peter is still knee-deep in water.”
The winner of the Nikon Portrait Prize was Justin McManus, of the The Sunday Age & The Age , for his image,Johnny and his Dogs .
Nikon Portrait Prize Winner, Justin McManus, The Sunday Age & The Age. Johnny and his Dogs. Chairman of Nurrdalinji Aboriginal Corporation, Kuranjini man, Johnny Wilson on Country with his dogs. Johnny, along with other Traditional Owners, is fighting to stop fracking on their Country in the Beetaloo Basin, Northern Territory. © Justin McManus (via the Walkley Foundation)
The judges commended Justin McManus’ commitment to the story of Indigenous communities and Traditional Owners from the Beetaloo Basin in the Northern Territory battling fracking for natural gas by large energy companies on their traditional lands. “One man at home in a landscape under threat tells a story that could go unnoticed if it were not for Justin McManus’s dedication. That’s a portrait of Australia right there.”
The Nikon awards were announced as part of the 67th Walkley Awards for Excellence in Photojournalism. The Walkleys recognise the work of photographers across a range of genres, from news and sport to portraiture and photographic essays. Both the Nikon winners and all the finalists in the Walkley Awards for Excellence in Photojournalism can be seen at the Nikon-Walkley Press Photography exhibition, on display at the Fountain Court of NSW Parliament House, from 1 November until 16 December. All Walkley Award winners will be announced at a gala dinner in Sydney on 17 November.
67th Walkley Award finalists: Photography
Sport Photography
Finalist: Robert Cianflone , Getty Images, “A Glamorous Job”
Finalist: Quinn Rooney , Getty Images, “Swimming World”
Finalist: Cameron Spencer , Getty Images, “Sport is Back!”
Finalist: Cameron Spencer, Getty Images, Sport is Back! Charlie Curnow of Carlton marks during the round 3 AFL match between the Carlton Blues and the Hawthorn Hawks at the Melbourne Cricket Ground, 3 April 2022. © Cameron Spencer (via the Walkley Foundation)
Finalist: Quinn Rooney, Getty Images, Swimming World . Backstroke: Australian Ryan Alexander Lobo competes in the Men’s 50m Backstroke at the 2022 Australian Swimming Championships at SA Aquatic & Leisure Centre. Adelaide, Australia. 20 May 2022. © Quinn Rooney (via the Walkley Foundation)
Finalist: Robert Cianflone, Getty Images. A Glamorous Job . The Finish Line: A general view during Race 4, the Amanda Elliott Handicap, at the 2021 Paramount+ Stakes Day at Flemington Racecourse. 6 November 2021. © Robert Cianflone (via the Walkley Foundation)
News Photography
Stephen Dupont , Stephen Dupont Instagram and Facebook, ‘War in Ukraine’
Finalist: Natalie Grono , The Saturday Paper and Surfing World Magazine , ‘Peter takes a moment’
Finalist: Christopher Hopkins , The Age , ‘Day 1: Anti Lockdown’
Finalist: Christopher Hopkins, The Age , Day 1: Anti Lockdown. A member of Victoria Police is knocked to the ground as anti-lockdown and anti-vaccination protesters break the police line. The officer would be trampled and hospitalised. © Christopher Hopkins (via the Walkley Foundation )
Finalist. Stephen Dupont Instagram and Facebook. War in Ukraine . The Dead Left Behind. This Russian helicopter was shot down on March 4, 2022. It was one of four helicopters heading to Makariv. The local regiment says it was shot down by a man-portable air-defence system, or “Igla”, by Ukrainian soldiers. The helicopter crashed into a field at the edge of the Makariv town in between the Russian and Ukrainian positions. Here, following liberation by the Ukrainian forces, three soldiers scour the wreckage where five bodies of the Russian crew are scattered around the crash site. It is unclear why the bodies were left there to rot. © Stephen Dupont (via the Walkley Foundation)
Feature/Photographic Essay
Finalist: Matthew Abbott , National Geographic Magazine , ‘Saving forests with fire’
Finalist: Kate Geraghty , The Sydney Morning Herald and The Age , ‘Invasion of Ukraine – Civilian Impact’
Finalist: Andrew Quilty , Rolling Stone , Return of the Taliban
Finalist: Andrew Quilty. Rolling Stone. Return of the Taliban . A Taliban fighter fires into the air late on the night of September 3, 2021, in celebration of the group’s reported capture of Panjshir province, where a resistance group, the National Resistance Front, were defending the last patch of Afghan territory not in Taliban hands, two-and-a-half weeks after it overthrew the former government. © Andrew Quilty (via the Walkley Foundation)
Finalist: Kate Geraghty. The Sydney Morning Herald and The Age. Invasion of Ukraine – Civilian Impact. Living on the frontline: Zoya Shaposhnik, 67, looks up at the hole in her ceiling from a missile strike. Her disabled husband narrowly escaped injury or death in their home in Krasnohorivka. Zoya Shaposhnik did not evacuate as many others have in the town, instead staying to care for her husband. Their roof and other parts of their home have been destroyed. Krasnohorivka, Donetsk Oblast, Ukraine. June 16, 2022. © Kate Geraghty (via the Walkley Foundation)
Finalist: Matthew Abbott. National Geographic Magazine. Saving forests with fire. During a five-day bush walk across several clan estates in the early season, a family follows a fire lit by other members of the clan to help guide them on their journey and to clear the land to prevent destructive fires. © Matthew Abbott (via the Walkley Foundation)
Nikon-Walkley Press Photographer of the Year
Finalist: Brendan Esposito , ABC
Finalist: Christopher Hopkins , The Age and The Guardian
Finalist: Brook Mitchell , The Sydney Morning Herald
Finalist: Brook Mitchell, The Sydney Morning Herald . Gunggandji: Gunggandji Land and Sea Rangers (from left) Victor Bulmer, Roszaly Aitken, Fredrick Lefoe and Chasten Hunter carry a horse they found in distress deep in the scrub near Yarrabah, Queensland. After taking the horse to town in the back of their ute, the rangers found and removed a paralysis tick. Horses are a feature of daily life in Yarrabah, with many roaming free around the community, often ridden around town by both kids and adults. August 22, 2022. © Brook Mitchell (via the Walkley Foundation)
Finalist: Christopher Hopkins, The Age and The Guardian . Homeless: Robert Mark Old has been on the streets for three months, preferring the relative safety of Melbourne’s outer northern suburbs to the recommended crisis accommodation, which he described as “a bloody disgrace”. Alcohol and drug use was rife and he feared for his safety, preferring the rain and temperatures close to zero to a room at the notorious centre. June 4, 2022. © Christopher Hopkins (via the Walkley Foundation)
Finalist: Brendan Esposito, ABC. Jenna Love photographs herself for her OnlyFans internet page at her home in Blaxland, NSW, a look inside the booming business of “democratised” adult content – erotica made by everyday people and sold online for a subscription fee. Since its inception, OnlyFans has been seen as a tool for economic empowerment by many. But the site – and others like it – poses ethical dilemmas and real risks for those involved. Jenna is a content creator who explores the highs and lows of making DIY erotica. © Brendan Esposito (via the Walkley Foundation)
Walkley photographic judges
Daniel Adams, Photo Editor, Australian Financial Review
Nicholas Eagar, National Photographic Editor- NewsWire
Olivia McGrath, News Editor – Australia & New Zealand, Getty Images
Jeremy Piper, Oculi
Harriet Tarbuck, Co-Creative Director, Photo Collective
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