Robert Mapplethorpe: the perfect medium

Robert Mapplethorpe: the perfect medium celebrates one of the most renowned photographers of the 20th century –  an artist who understood the medium’s ability to alter perceptions and push boundaries.This comprehensive survey of Robert Mapplethorpe’s career features over 200 works, including floral still lifes, portraits, figure studies, and erotic imagery that charts his involvement in New York’s gay scene, as well as a selection of archival material providing insights into his working methods and life.

Patti Smith, 1978. Image by Robert Mapplethorpe.
Patti Smith, 1978. Image by Robert Mapplethorpe.

An icon who photographed other icons, Mapplethorpe captured and shaped an era with portraits that immortalised the cultural idols of the 1970s and 1980s, including lifelong muse Patti Smith, fellow artists Cindy Sherman and Louise Bourgeois, actor Isabella Rossellini and musicians Debbie Harry and Philip Glass.

Whether he was photographing a figure, a fetish or a flower, Mapplethorpe pursued what he called ‘perfection in form’. The legacy of his unflinching quest for beauty has an enduring political and artistic resonance.

Poppy, 1988. Image by Robert Mapplethorpe.
Poppy, 1988. Image by Robert Mapplethorpe.

The exhibition is organised by the Los Angeles County Museum of Art and J Paul Getty Museum, in collaboration with the Robert Mapplethorpe Foundation and the Art Gallery of NSW. Support for the exhibition and its international tour has been provided by the Terra Foundation for American Art.

Ken Moody and Robert Sherman, 1984. Image by Robert Mapplethorpe.
Ken Moody and Robert Sherman, 1984. Image by Robert Mapplethorpe.

This exhibition is accompanied by the book, Robert Mapplethorpe: the photographs, co-published by LACMA and the J Paul Getty Museum. A comprehensive guide to the artist’s work and career, this publication features an introduction by co-curators Paul Martineau and Britt Salvesen, as well as five scholarly essays on sexuality and identity, complemented by a selection of illustrations covering the remarkable range of Mapplethorpe’s photographic work.

Self-portrait, 1980. Image by Robert Mapplethorpe.
Self-portrait, 1980. Image by Robert Mapplethorpe.

Upcoming Events Submit an Event

February

Melbourne: Until 26 April 2025. The exhibition features 52 works from the National Portrait Gallery’s collection of dance legends and reflects the freedom and joy of dance and its power to connect.

Sydney: Until 27 April 2025. Ocean Photographer of the Year exhibition. Featuring 118 extraordinary images, this exhibition explores the awe-inspiring beauty and fragility of our oceans.

March

Melbourne: 1 March – 25 May 2025. Featuring the work of approximately 60 artists, The Basement brings to light rare vintage prints from the 1960s – 1980s, from students and teachers of the College’s Diploma of Art & Design (Photography).

Perth: 15 Feb - 3 May 2025. de-centre re-centre highlights the strength and diversity of contemporary photography in Australia. The exhibition explores place and belonging in First Nations, diasporic and queer communities.

Melbourne: 28 March – 4 May 2025. Horan’s work thrives on contrast: the ordinary and extraordinary, rigid and fluid, playful and refined. Using materials like plastic, chrome, glass, and foodstuffs, she elevates the overlooked through precise composition and unexpected juxtapositions.

April

Canberra: 27 Feb until 20 July 2025. The National Library has invited renowned Australian photojournalist Mike Bowers to select some of his favourite images from the Fairfax Photo Archive.

Brisbane: Until 13 July 2025. Amateur Brisbane photographer Alfred Henrie Elliott (1870-1954) extraordinary images lay dormant for decades until they were discovered only recently. This exhibition is curated by seven Brisbane photographers.

Perth: Until 18 May 2025. Henry Roy – Impossible Island draws on 40-years of recollections and observations as it brings together 113 photos taken from 1983 to 2023.

Sydney: Until 31 Dec 2025. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

Sydney: Until 30 June. The photographs in Max Dupain: Student Life were taken at the University of Sydney in the early 1950s, a period of rapid change marked by the politics of the Cold War.