Rosebud by Matthew Sleeth

Matthew Sleeth’s candid images in his Rosebud series were captured when he visited Rosebud on the Mornington Peninsula from 2002–2006, usually during the first week of January when the popularity of the foreshore was at its peak. Shot on a medium format camera, the photographs provide a rich documentation of a quintessential Australian experience: summer holidays spent camping by the beach. The photographs are bathed in the strong sunlight of Australian summers and evoke deep nostalgia for long, slow days and hot, sticky nights.

© Matthew Sleeth

‘Rosebud was the town where my family spent our summer holidays," Sleeth said. "We camped on the same site every year with the same neighbours until I was about 13, and like many things lost from childhood, the memories are still vividly clear. But the thing that always stayed with me was the light. The late afternoon light on the beach, through the trees felt endless.’

© Matthew Sleeth
© Matthew Sleeth
© Matthew Sleeth
© Matthew Sleeth
© Matthew Sleeth
© Matthew Sleeth
© Matthew Sleeth
© Matthew Sleeth
© Matthew Sleeth
© Matthew Sleeth

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February

Brisbane: Until 13 July 2025. Amateur Brisbane photographer Alfred Henrie Elliott (1870-1954) extraordinary images lay dormant for decades until they were discovered only recently. This exhibition is curated by seven Brisbane photographers.

Perth: Until 18 May 2025. Henry Roy – Impossible Island draws on 40-years of recollections and observations as it brings together 113 photos taken from 1983 to 2023.

Sydney: Until 31 Dec 2025. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

Sydney: Until 30 June. The photographs in Max Dupain: Student Life were taken at the University of Sydney in the early 1950s, a period of rapid change marked by the politics of the Cold War.

Sydney: Until 8 Mar 2025. While Dean’s fantasias might seem like digitally conjured dreamscapes, they are an extraordinary feat of practical effects, with subjects in actual gardens and elaborately constructed underwater sets.

Melbourne: Until 26 April 2025. The exhibition features 52 works from the National Portrait Gallery’s collection of dance legends and reflects the freedom and joy of dance and its power to connect.

Sydney: Until 27 April 2025. Ocean Photographer of the Year exhibition. Featuring 118 extraordinary images, this exhibition explores the awe-inspiring beauty and fragility of our oceans.

Canberra: Until 2 March. Drawn from the collections of the National Gallery of Australia, the National Library of Australia and the National Portrait Gallery, the exhibition showcases more than 140 photographs, from Jerrems’ lesser-known early work to the now iconic Vale Street 1975,

In ‘Inside/Outside (U.S.A)’ James Bryans (re)captures iconic American landmarks frequently depicted in film and television, revealing the strangeness, unfamiliarity and complexity of familiar land.

Melbourne. One off event 23 February. The first solo photography exhibition from international cinematographer and producer 'The Squid' – showcasing the wild underwater dance images conveying human emotion and the magic of connection.